The
“ArchitorSpace” photographs display my specific interest in and fear of the
banality of spaces in enclosed areas within post-industrial architecture. These places are typologies of
contemporary post-industrial architectural aesthetic that makes the individual
appear so displaced within the uncanny.
The photographic strategy is to purposefully make these images heavy
with absence; forgotten places that are entirely familiar. These deserted
(non-site) environments reveal no history or functionality.
The
environments depicted within the images are sites that conjure up subconscious
memories pointing out the familiarity within the redundancy of postindustrial
public architectural space. Tunnels, corridors and lobbies that exist in the
images are the enclosed public arenas in which you are viewed and exposed to
the scrutiny of others. They
reveal an emptiness that is particularly banal, and commonplace, that has
become the current prominent state in the post-industrial society and the
spaces that we inhabit.
I photograph these interiors from a direct, frontal
point of view, at sufficient distance to include the entire space in its flat
and melancholic state where the individual vanishes in the glare of fluorescent
light. These are architectural
portraits that become matter-of-fact, which demonstrates a primary function of
the still photographic image, to record a temporal space. They are spaces in which a room, office
or corridor is virtually indistinguishable from another; repetition and
redundancy collapse into an architectural singularity. Within the images, the subjects who
otherwise occupy these spaces are engulfed into the void of
here-could-be-anywhere, into the monumental dissolution of space in
contemporary architecture.
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