The photographer’s aim for the architectural photography series "A-SYMMETRIE" is the accurate recording of every single building. It focuses on the plain architectural form and the elaboration of linear structures and abstract form criterions. Light/dark contrasts and the switch between light and shadow as well as the metallic shining surfaces are in the main focus of his attention. Because of peoples’ absence in order to serve as a measure- scale in the pictures, the buildings must be unhinged out of their functional structure. The architectures in Benjamin A. Monn’s photos are presented in a space-, time- and functionless aesthetics. The design stands for itself.